Solo “TCD5M” at La Malterie, with Muzzix. Photo: Philippe Lenglet. 
With Falter Bramnk and Rosa Parloto, Muzzix. Photo: Philippe Lenglet. 
Grand Orchestra de Muzzix. Photo: Gérard Rouy. 
Midi controller for Oliver’s Birds. 
The Offbeat Sessions, at La Rumeur. 
Composition for MouvmenT(é)s dance Company 
Residence, composition, Ballet du Nord. 
“Fragments” dance performance, Aurore Floreancig, choreographer. Photo: Matthias Crépel 
With Cécile Richard for That Tuesday podcast, artconnexion. 
That Tuesday at artconnexion with Stéphanie Laforce. 
Working with student at ISEN engineering school, who built a modular synth. 
Installation on the BBC Big Screen in Dover, UK with Espace 36, St. Omer. 
Installation with Anne Koessler, “Wish Tree.” 
Giants On Vacation with Hugo Kostrzewa and Paul Chenour. 
Lundi improv, La malterie 
Project for SACEM (Composer’s Society), Fabriques de la Musique. 
Live performance in London. 
Keyboard for solo, Can’t Draw, Can’t Paint. 
Score, Can’t Draw Can’t Paint
Voice, mono synth, field recordings/samples, midi controllers, electronics, harmonicas, objets, graphic scores, Ableton 12.
I finished my Master’s degree in Performance Studies at New York University, left WNYC, and landed in the South of France at the Camargo Foundation for nine months. I hoped to experiment with sound and theatre, but minus the conventional formats I had known. It had never occurred to me that the loss of my native tongue could push the theatre and the radio aside, or that as an expat in France I would have to recreate myself. Thus, in midlife, I began at zero. “Beginner’s mind” is indeed a wonderful thing. In parallel with making a living teaching in les grand ecoles, I began with installations, and gradually began experimenting with performance, dance and even improvisation, and music performance. This has become a passion, and will hold me until the end of my days.
Electroacoustical Poetical Society 